Wednesday 14 January 2015

Postmodernism - Lecture Notes

Themes 
  •  Fragmentation (what has been made is now coming apart). 
  • Repetition (nothing is unique)
Cyclical time, e.g. seasons
An irreversible break in the past.
After Roman empire, events of moving forward
After the Middle Ages - new time.

Thoughts move away from nature and God, it is man who rises in enlightenment and can manipulate the world without God. 
Intrinsic ability to know the world.
Defining the world with our own mental capacities. 

Modern
  • Always advancing
  • Self overcoming
  • Progress and development 
Modernisation - shift from agrarian proaction to factory production. 

Harrison Wood - Modernisation
Modernity is the development. 
Modernism is the art. 

Impressionism - innovation of technical peans.
  • Application of paint. 
  • Reduction and purification
  • Shock and de-familiarisation
  • The focus of painting is visual experience
Historical Avant Garde
Dada and Surrealist

Reimagining society. 
As the modern intensifies, movement towards the future rejects what is present now. 
They anticipate a change. 

Avant garde want a particular future. 
Postmodernism - things becoming more modern after modernism. 

Modernity continues to become more modern. A continuation. The ever new. 
Modernism is trailing off into the past. 
The notion of contemporary. 
‘ever new but always in its newness, the same.’

Pursuit of novelty
Doubling - a new novelty must refer back to old novelty. 

‘The Present Age’
The media and press hold the nation together - a culture of representation. 

Marx 
  • Commodities 
  • Use value
  • Satisfy human needs
  • Things require and exchange value
  • Exchange value is dependent on need
  • Derealisation
  • Workers have an exchange value
Less connection with factory made products than handmade artefacts. 
‘All that is solid melts into air’

Nietzsche
  • Building on metaphors
  • Nerve stimulus -> Image -> Oral -> Mental concept
Specular order of promotion - product advertising, wants and desires. 
Having commodities - more interested in appearance. 

Postmodernism - end of grand narratives. 
Knowledge is reduced to conceptual notions. 

Lyotard - language is ancient city, a combination of old and new, with additions from other ages. 

Use value is lost, stronger desire for form, colour, social standing. Needs disappear into products. 
Advertising - making desire stay ‘relevant’ to commodities. 
Baudrillard - window displays and store layouts. Eclectic, and a feast for the eyes. 

The way we understand the world is the way advertising portrays it to us. 

Thursday 8 January 2015

Lecture Notes - Modernity and Modernism

People connected the term ‘modern’ with positivity, progressiveness, style, times better than before and progression. 

Paris 1900
Urbanisation - Trottoir Rouland - Electric moving walkway
Lives were controlled by work times and schedules - different to how things were organised on farms. 
Transport - motorcar and trains in 18th and 19th centuries. 
World time becomes standardised. 
Electricity, lighting and telephones. 

Secularisation
Enlightenment - late 18th century, thinking became more scientific and philosophical (turning away from God). 

Eiffel Tower 1899 - symbol of modernity.

Caillebette - ‘Paris on a rainy day’ 1877
Class, gender relationships, dynamics, so close to people but so distant. 

Paris went through Haussmanisation (Haussman was a city architect)
The rich dominate the centre of the city and the poor live around the edges. 
Wide boulevards instead of narrow streets - ease of policing. 

Experiements emerge - thinking continues to advance, psychology and investigation. 

Fashion is a signifier of your place in society. 

Seurat - Isle de la Grande Jatte 
(Pointillism) The subject of the painting is a park where the middle classes would spend time. 

Degas - Absinthe Drinker 1876
Shows the effect of modern life on people living in the city - feeling the need to drink to oblivion. 
You can tell by the cropping of the painting that it is based on a photograph and not from direct observation - shows how modernism is affecting artwork. 

Kaiseranorama 1883
People prefer to sit at a machine to watch the world rather than go out and see it. 

Cinema - Lumière Brothers

Photography take sover painting in terms of documentation - painters turn to more subjective works. 

Picasso - Les Demeoiselles d’Avignon 1907
Moving towards abstraction, a fragmented and confused experience.
It becomes more about the media than the subject.

Graphic design is crisp and clean and usually based on a grid structure. 
‘Form follows function.’
Simplicity of objects is timeless. 

Internationalism - the language of design is recognised worldwide. Pure and minimal.