- How have developments in technology during the digital age affected the way creative practitioners work?
- Have developments in technology during the digital age negatively affected the creative industry and creative practitioners more than we realise?
- To what extent have developments in technology during the digital age negatively affected the way creative practitioners work?
It seems that digital media is becoming increasingly popular for practitioners to use as it continues to develop and as a student aspiring to enter the design industry, I feel it is important to understand what effect the digital age is having on creative people.
Methods
- Although I want to investigate the effect that technology is having on how creatives interact and communicate, I don’t want this to cross over too much into a sociological inquiry as I feel the content will start to become irrelevant to my topic.
- I also don’t want to go off track by just explaining the developments in technology and not exploring their effect on practitioners and the industry.
- I want to avoid the idea of technology addiction as this will start to become less specific to the creative industry.
- My thoughts at the beginning of the investigation
- Outline what I am going to be discussing in the essay
- Although the developments in technology are clearly advancing the creative industry, are we overlooking the negative side effects of these progressions?
- The Impact of Technology on Creativity in Design: An Enhancement? by Nathalie Bonnardel and Franck Zenasni
- ‘The computer has opened illustration up to a full range of digital possibilities and placed it on a level with other disciplines.’ (Zeegen, 2012 : 44)
- ‘If it is the pencil that wields the power, then it is the computer that harnesses that power and enables an illustrator to transform the pencil mark into a seemingly never ending array of new marks.’ (Zeegen, 2012 : 44)
- ‘PhotoShop has certainly not replaced illustrators altogether (and many fine illustrators employ PhotoShop as a tool), but this tool is far more threatening than any previous technological development in the history of illustration’ (Heller, 2003)
- Pawel Kyuczynski illustration: Fig.1 Kuczynski, P (2007) [illustration] Available from <http://www.boredpanda.com/satirical-illustrations-pawel-kuczynski/?image_id=satirical-art-pawel-kuczynski-13.jpg> [Accessed 29 October 2014]
- http://www.creativereview.co.uk/cr-blog/2014/october/made-you-look
- "Computers are to design as microwaves are to cooking." - Milton Glaser
- http://blog.psprint.com/printing/print-design-before-computers/
- Michelangelo: ’One paints with one’s head, not one’s hands.’ p357
Donya Todd: It is unlikely whether you would get a job if you are not competent using Photoshop. But your images could still all be hand drawn and just scanned in a touched up before sending them off.
Big heads - Jack Teagle and Donya Todd
- cutting out the middle man
- illustrators are less reliant on large corporations to publicise their work
- http://www.creativereview.co.uk/cr-blog/2014/october/made-you-look
- Donya Todd: The internet can sometimes take the meaning and personal touch out of a small scale, local project.
- Illustration Next - Ana Benaroya (asking illustrators about the ways in which they collaborated and how they found it - comments on communicating via the internet as oppose to face to face)
- ‘a postpersonal world’ (Lanier, 2011 : 69)
- Summarise all arguments.
- Has my opinion changed in light of my research?
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