Continued sketchbook development on previous key paintings...
Ink and end of paintbrush - this makes the lines a lot thicker so continuous line would eventually look clumpy. I opted for minimal lines to show shape and suggest detail. It fits with the idea of things being fragmented and pieces missing.
Pencil crayon and fineliner - the pencil looks too grainy and doesn't provide enough of a contrast against the block colours. The fineliner causes a similar problem due to how thin the line is. When the lines are gone over more than once they begin to look messy. These are both not working.
I like how my line work is improving the more I do this. I feel like I have a good control over the brush pen and the process shows confusion but not clumsiness. The brush pen is smooth yet still shows a tangle and confusion.
I asked some of my peers in the studio for their opinions and this final page (pink and green) was a clear winner. It was interesting that they didn't even know what the project was about but they sad these looked the 'nicest'. After I explained the concept to them they understood better and still agreed that this one worked best. This is what I want, my concept needs to be reflected in the drawing style but the images need to be appealing to consumers if the aim is to make people buy them.
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